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Status Replies posted by andrewpwoodberry
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There's a widely accepted structural perimeter, or axiom in screenwriting that generally insists on character arc. "In what ways is your character different in the end from in the beginning?" Consider Anton Chigurh in No Country For Old Men and Daniel Plainview in There Will Be Blood. I see no arc in who they are as people/characters. Yes, the story itself has an arc, but how are either of these characters different in the end from the beginning? Other examples of such?
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I need a logline critique - A man confronts mistakes of his past when his son goes missiong 3 hours before a nuclear bomb drops on his city... Does it make you curious?
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Today I'm watching Black Mirror while getting my work done. I wonder what ratings a US version would get?
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Revisiting West Wing this week. I really miss that show.
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Revisiting West Wing this week. I really miss that show.
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Revisiting West Wing this week. I really miss that show.
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Revisiting West Wing this week. I really miss that show.
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Revisiting West Wing this week. I really miss that show.
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The difference between the sentences "I got staph" and "I got staffed" is just 4 letters and twenty awkward minutes of explaining the difference on the phone to my parents.
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Cold in July is a great read. Excellent plot turns to keep the reader engaged.
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Blacklist read recommendations? Usually it's pretty easy for me to find scripts on the list that impress but this time, after quite a few false starts, I've been struggling to find anything I want to read (or, if I did read, glad that I did).
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Blacklist read recommendations? Usually it's pretty easy for me to find scripts on the list that impress but this time, after quite a few false starts, I've been struggling to find anything I want to read (or, if I did read, glad that I did).
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Blacklist read recommendations? Usually it's pretty easy for me to find scripts on the list that impress but this time, after quite a few false starts, I've been struggling to find anything I want to read (or, if I did read, glad that I did).
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Blacklist read recommendations? Usually it's pretty easy for me to find scripts on the list that impress but this time, after quite a few false starts, I've been struggling to find anything I want to read (or, if I did read, glad that I did).
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Blacklist read recommendations? Usually it's pretty easy for me to find scripts on the list that impress but this time, after quite a few false starts, I've been struggling to find anything I want to read (or, if I did read, glad that I did).
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Blacklist read recommendations? Usually it's pretty easy for me to find scripts on the list that impress but this time, after quite a few false starts, I've been struggling to find anything I want to read (or, if I did read, glad that I did).
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Okay... Best funky/jazzy/propulsive "heist" music to write to? Any suggestions?
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Okay... Best funky/jazzy/propulsive "heist" music to write to? Any suggestions?
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I'm surprised, and rather disappointed that the Black List overlapps SO many Hit List scripts...
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My previous status was supposed to say the following: Ready for the hate. I enjoyed Ridiculous 6.
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My previous status was supposed to say the following: Ready for the hate. I enjoyed Ridiculous 6.
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As writers, you might like this short film that I worked on. It stars Paul Scheer, Natasha Leggero, Kristen Schaal, Ken Marino & Milo Ventimiglia.
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I wrote a rambling, self-indulgent, reddit-esque post in Chit Chat about why I hate the Hit List and the Black List
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If I'm completely honest, I feel like I've lost my ability to write. I haven't been able to flow at the level I used to be able to in a very long time.
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So I ended up winning best comedy feature at Austin. I'm still trying to process the whole experience, but I can't say enough good things about the festival!